We are extremely proud to be the Founders of the Stonewall National Monument Visitor Center (SNMVC) opening in June! Our eternal gratitude to all our Partners in Good! https://lnkd.in/enYkDfDy
Pride Live ’s Post
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Sharing this new NYT overview of the projects I have the privilege of working on (and I love the detail about the granite floor of the Rockefeller Wing) https://lnkd.in/e5tvaUcK
One of the World’s Biggest Museums Is Making Big Changes
https://www.nytimes.com
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Emilio Ambasz is an architect and award-winning industrial designer. Ambasz's trademark style is a combination of buildings and gardens, which he describes as 'green. over grey'.
GRAND RAPIDS ART MUSEUM GRAND RAPIDS, MICHIGAN, USA (1983) https://lnkd.in/esSAhwYC This proposal revitalizes the city's downtown area by reusing a distinguished, but now vacant, former government building and by adapting a number of abandoned or underused neighboring structures for additional cultural functions. The main 1908 Beaux-Arts building is upgraded to meet codes and programmatic requirements. A relocation of the entrance from the closed side of the U-shaped building to the open court-yard establishes a direct physical relationship between the museum and its surroundings while creating a single, unified entrance. Covering the court-yard, a translucent inclined plane of stairs has an opening at its center that leads to the Grand Foyer which is a shared space for the different departments. Water descends slowly and evenly from the top of the stairway along a channel carved into the plane, leaving a clear pedestrian path for those walking up the stairs. This water is, in fact, the very water used for the air-conditioning system. In this way, the need for an unsightly cooling tower has been eliminated and this silent cascade becomes the focal point of the city's newest public space. Greenroofs.com, LLC. #ambasz #emilioambasz #architecture #greeninfrastructure #greenroofs #landscapearchitecture #nature #greenarchitecture #design
GRAND RAPIDS ART MUSEUM
ambaszmuseum.com
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I find that the Museum of the 20th Century (M9) in Mestre is a well-designed building. It integrates seamlessly into the urban fabric of the metropolitan city of Venice. It strives to be innovative, aiming to look forward, and it does so in an attempt that, considering its context, I find commendable. Upon closer and more meticulous inspection, some technical solutions and the placement of elements could have been done with more care. But I repeat: we can forgive it, given the international scope that this project has had for the Venetian hinterland (and which it still desperately needs). However, there is an error, in my humble opinion. The museum is not visible. I don't see it from the town square (which should be a privileged viewpoint). I don't see it from the sides or the back, although I notice its presence with a slow approach and a gradual discovery. Almost as if it were an opening in the urban fabric, but coherent and gentle (and I appreciate this). But it remains a fact: I know it's there because I am from Mestre. Perhaps I will be reproached that "visibility" is not a measure of success. I accept it, but not here and not in this place. There would be two solutions: either demolish the barracks that block the view towards Piazza Ferretto (Heaven forbid! A historical heritage where even Cavour spent a night! In my opinion, we should ask Cavour how he spent the night and then decide). Anyway, I was saying. Dismissing the first hypothesis, even though very valid, the only one left would be to make itself seen by rising towards the sky. A tower. Well, there you have it. I had fun, for my enjoyment, imagining a possible "TowerM9". Not a glass tower though! We've had enough of these transparent facades. A tower of masonry walls? Where sharp and targeted light enters? Where only the central core is made of glass, and you gaze towards the Alps on one side and the Lagoon on the other. It may not be liked, maybe I don't like it either. Generally, I don't really like anything about the projects I do, at least not until the end. But it's a different solution.
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This looks like a great idea, a self-guided public art trail through Downtown LA! (What I like right off the bat is that it doesn't require downloading or using a special app.) Conceptually, it is similar to the #FreedomTrail running through Boston's historic core (https://lnkd.in/g-qWPxYJ). Established over 70 years ago!, this trail not only guides you through history, but also helps you find your way through Boston's disorienting organic street network. It's kind of like an urban lifeline. I am really curious to test this virtual one out, because I proposed we do something similar in El Segundo.* What I'm most interested in understanding is: 1. Whether this leads you to explore new places and businesses. There should be an economic component, not just a voyeuristic one... kind of part of the mission of public art and entertainment. (They have stopping points at some venues labeled “Trail-Mix,” but it feels forced, too specific.) 2. How it shapes your spatial understanding of the urban fabric, if it does at all. Clearly, a virtual guide is not as tangible as a line embedded in the sidewalk, but LA may be too spread out for lines on sidewalks. —————— *At one of our El Segundo Arts & Culture Advisory Committee meetings, I proposed we do something like this, because as I started working on creating a map of public art in our small city through the #PublicArtArchive, I realized there are quite a number of artworks here. We have, for example, 3 (out of 14) Green Line Metro rail stops just in our small, 5.5 square mile city, and each one has several artworks in them. And many commercial developers have been adding interesting pieces to their properties since the #percentforart program was established 4 years ago (https://lnkd.in/gFsDRsaB), though some has also been naturally happening before that or separate from it. Honestly, there are way more public artworks in El Segundo than anybody realizes. #publicart #urbanism #urbandesign #urbancore #trail #arttrail #economicdevelopment #spatial #virtual #dtla #downtown #losangeles #elsegundo
DTLA Art Trail
downtownla.com
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Historical Preservation through Innovative Storage: Discover how a National Historic Site museum in Washington D.C. maximized artifact storage with industrial shelving and a mezzanine. https://lnkd.in/dKqtApwq
Case Study: National Historic Site | NOS
https://nosinc.com
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Some of London’s most incredible buildings and structures don’t exist anymore. This article brings small, low resolution photos and I can't help but thinking: What if we had the Matterport technology back then to capture and preserve these landmarks in a digital form? What if we could explore the Whitehall Palace or Holland House? Matterport Digital Twins have the potential to bridge the gap between past and present, ensuring that even as physical structures fade away, their digital counterparts stand the test of time. Museums and history books offer valuable insights, but the ability to virtually wander through these lost structures adds a layer of understanding that is unparalleled. Fortunately, we have Matterport now and can seize the opportunity to preserve our architectural heritage. #matterport #digitaltwins #architecturelovers
12 amazing photos of London’s lost landmarks – Time Out London
timeout.com
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Old museums may often have historic bells in their collections, which could include various types of bells used for different purposes. ✅ Here are some common types of old museum bells: 1.🔸 Church Bells🔸: Many old museums preserve church bells that were once part of historic churches. These bells were used for calling worshippers to services or marking significant events. 2. 🔸Ship's Bells🔸: Maritime museums often display ship's bells, which were used on sailing vessels for timekeeping and communication. 3. 🔸School Bells🔸: Antique school bells, often hand-cranked, are found in some museums. These were used to signal the beginning and end of school periods. 4.🔸 Fire Bells🔸: Museums may have old fire alarm bells that were used in early fire departments to alert the community about fires. 5. 🔸Handbells🔸: Smaller handbells, sometimes used in churches, schools, or by town criers, can also be part of museum collections. 6. 🔸Carillons🔸: These are sets of bells typically found in towers or bell towers. Carillons produce melodic tunes and are often part of historic buildings or churches. 7. 🔸Dinner Bells🔸: Antique dinner bells were used to signal mealtime on farms and in rural areas. 8. 🔸Artistic Bells🔸: Some museums may display decorative or artistic bells created for aesthetic purposes. These old bells can vary in size, shape, and material. They are often preserved in museums to showcase the history and cultural significance of bell usage in different contexts throughout the years. Visitors to these museums can learn about the roles these bells played in various aspects of society. Follow 👉 Aradhana trigunayat for more. #linkedlnfamily #linkedln
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Owner: At our core, we are artists and storytellers. We are brand experts who care about place and people and help them to tell their story through the marketing communications we create for them.
LUNCH BOX? GENIUS ARCHITECTURAL DESIGN? ART MUSEUM? In Austin, the Blanton Museum of Art isn't just any art stash; it's the city's creative crown jewel. Picture it: over 21,000 masterpieces, ranging from ancient Greek pottery, to abstract expressionism that'll make you tilt your head and ponder. It's not just a museum; it's a cultural powerhouse with a knack for the extraordinary. __________ Torque Real Estate Marketing TORQUE is a real estate marketing agency bringing insight and awareness to the emergence of human experience, properties and the community. #austinrealestate #office #commercialrealestate #architecture #realestate #realestateindustry #marketingagency #realestatemarketing #marketingagency
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Here in #Doral, DORCAM (Doral Contemporary Art Museum) stands as a catalyst for learning, creativity, and the binding of a community. Through exhibitions and events that transcend the traditional confines of art, architecture, visionary design, industry, and technology, DORCAM opens its doors wide, inviting not just the connoisseur but the curious, the unseen, the wanderer, and the everyman. In its mission, DORCAM seeks to reflect the nationalities that call Doral home. We are not here to cater to the compliant and the conventional. It is here, where barriers dissolve, and the free exchange of ideas flourishes, each program a dialogue, each piece a conversation. Membership at DORCAM is a bridge, not a gate. It offers a spectrum of #engagement, making it possible for YOU to become part of this community. Members are more than advocates; they are the heartbeat of the #museum, present at virtual receptions and incorporated in every event. They are not just spectators but participants in the ongoing story of DORCAM. Looking ahead, DORCAM approaches their vision of a permanent home in Doral, a sanctuary where #art and #community converge. This future space promises to be more than a museum where residents and visitors alike can immerse themselves in the rich, #artistic heritage of the world. Become part of a community that celebrates art in all its #rebellious forms. Explore our membership options and find your place within DORCAM. Together, we can cultivate a culture of learning and unity that defies the clichéd. And as we move forward, keep your eyes peeled for our Midyear Review of 2024! It will be a bold reflection on the achievements and events that have shaped #DORCAM this year. 💬🎨🎶🎞📸🌠
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Chairs, or shadows of chairs, are considered architectural, right 🤔 Love the late afternoon, long shadow producing light on these chairs in the courtyard at the Renzo Piano designed The Academy Museum of Motion Pictures. #losangelesarchitecture #architecturephotography
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