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Things I've learned about shooting reality #4. If you can afford a Sony FX6 camera and can put in the time to learn how to use it, do it. It's a bit heavy, but what great pictures. S-Cinetone is immense. Get a #rycote Softie and protect your sound; it is a great combination with a Sennheiser 600. Once you have a cast, be careful not to ignore other employees as episodes come out; their stories are also important. Take an editing course; @mzedpro has some great ones. https://lnkd.in/ew4T7hv7

Did you know we take out of this world cinematic videos of all our property listings? Watch our July compilation video here: #videomarketing #realestate #listing #estateagent

One step closer to the holo deck https://lnkd.in/eu4cUmrj

Did you know we take out of this world cinematic videos of all our property listings? Watch our September compilation video here: #videomarketing #realestate #listing #estateagent

In our latest episode, Mickey shares behind-the-scenes bloopers from his vlog! Just like a real vlogger, mistakes are made during production 😂 . This episode was a fun dive into physical comedy and dynamic editorial pacing. Check it out for some laughs! 🎬 #vlogging #behindthescenes #bloopers #comedy #disney #disneyanimation #mickeymouse #mickey #animation

Just dropped another video on camera angles that you won't want to miss! 🎥🔥 Let's level up our filmmaking skills together and explore the art of visual storytelling. Check it out on my YouTube channel (link in bio). 🎬🚀 #CameraAngles101 #VisualStorytelling #FilmCommunity #LearnTogether #FilmmakerLife #YouTubeTutorial #CinematicMagic #FilmEducation #LevelUpSkills

A little something I made while trying out some HDR lighting in Unreal Engine 5.3. For all the pet lovers. BEST WITH AUDIO ON https://lnkd.in/eVNq5TVX

Watch how the MOOD changes between these next 2 guys talking...this link should start playing at 11:01s. The first guy (blue shirt) is fully lit in a high-key shot...meaning it's bright. The 2nd guy's lighting in the racing suit is more captivating. Why? Low-key lighting (darker) draws the viewer INTO the screen...watch. But, with run-and-gun shooting style where you can't take too much the subject's time (unless they've hired you) means you have to work with ambient light...mainly. You might carry a kicker or two to fill in some shadows, but it's available-light only. So, I've found the best way to get great shots is to move the subject around the space and study the shadows...how sharp they are, and how smoothly they fall off. Once the shadows are behaving, you can work on exposure and background by lens/aperture choice....plus, all the magic that can be done in editing today. Obviously, while capturing, you can't blow out your highlights...you gotta have at least SOME information there when editing...and that's where getting to know your camera's chip in the various modes comes into play. Anyway, the sudden contrast between the two shots caught my attention, and make me think. How do you capture moods when shooting your social media content? https://lnkd.in/gP-ZSdCB

Get up and running with #FilmicPro v7 with this quick-start tutorial that will introduce you to the core functionality of Filmic Pro in under 7 minutes!

Take a look at this film that our CEO was an Executive producer on. Let's chat about how your company or organization can benefit from a micro-documentary, and why the story of what you do is important.