Film & TV Reporter
Charles Pulliam-Moore is a Film & TV writer for The Verge focusing on genre entertainment and how disparate, fandom-specific conversations coalesce into what we know as "the discourse."
Before coming to The Verge, Charles wrote about comic books, labor, race and a multitude of other topics at io9 and Gizmodo, and his writing has also been featured on NPR's Code Switch blog.
When he isn't reading the source material for a piece or decompressing with a comfort horror movie, Charles is usually somewhere on his bike.
There will be plenty of traditional television series like Shōgun and The Bear in the running at the 76th Emmys in September. But given how many Netflix, HBO, Apple TV Plus, Disney Plus, and Amazon projects were just nominated for awards, this year’s competition seems like it could easily go to the streamers.
[The Hollywood Reporter]
Though it’s smaller than previous waves, Deadline is reporting that Warner Bros. Discovery is laying off another round of employees across its “production, business affairs and finance” arms as it continues to find ways to cut its spending.
Though there isn’t all that much new to see in Deadpool & Wolverine’s latest trailer, it features our best look yet at the film’s live-action takes on what seems to be the Deadpool Kid (a cowboy variant) and Lady Deadpool (a woman named Wanda with a sick-ass ponytail.)
We all knew the Stranger Things kids would look a bit older for the show’s fifth and final season, but seeing them all back in Hawkins High in this new behind the scenes video really emphasizes how the show’s last chapter can’t get here fast enough.
Fantasmas’ vision of the future is a dystopian dreamland
In Julio Torres’ series Fantasmas, survival in the future is an intricate, corporate-owned game of feeding your identity to the machine.
The Shrek franchise has been pretty Puss in Boots-oriented for over a decade now, but in 2026, Shrek, Donkey, and Fiona will be back in theaters at the center of a new DreamWorks movie.